In studies of medievalism, there is a flourishing bibliography analysing the work of artists and scholars of marginalised genders, races, and sexualities, including studies by Candace Barrington, Helen Brookman, Jane Chance, Joshua Davies, Caroline Dinshaw, Denis Ferhatović, Katie Garner, Jonathan Hsy, Clare Lees, Bob Mills, Gillian Overing, Elan J. Pavlinich, Mary Rambaran Olm, Matthew X. Vernon, and Bethany Whalley. TheQueer MedievalismNetwork and the forthcoming issue of Studies in Medievalism, ‘(En)Gendering Medievalism’, also demonstrate increased attunement to medievalisms’ marginalised makers.

Excellent work is happening, yet, as a whole, across major journals and edited volumes of medievalism, people of colour, queer people, and people of marginalised genders - as poets, writers, and artists - are notably absent. For example, in 258 articles published in Studies in Medievalism between 2003 and 2023, only 11% give significant attention to work by women. In major edited medievalism volumes, when women’s work is analysed, it is often women reflecting on their own creations, while queer creators and BIPOC artists are chronically under-represented.

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